Review of “We the Animals” by Jeremiah Zagar
New measures to help spanish cinema: more flexible grant requirements, tax incentives or room compensation
‘El olvido que seremos’, by Fernando Trueba, stays with the Cannes 2020 label
«Figli», an unsettling and courageous Italian film
«Alice and the Mayor», a political film halfway between drama and comedy
Page fifteen: meanness and greatness
German cinema in five ways
Cinema of Bruno Dumont, the French landscape
The demons of an irresponsible mother in ‘Angel Face’
